Monday 3 June 2013

The Three Main Types Of Music

As a producer or a composer it’s important to really know the appeal of certain music genres. Certain music genres can be put into three categories.

1. Popular Music
2. Niche Music
3. Academic Music

Popular Music needs little explanation, and can be defined as music that has had commercial success, and/or can be defined as music that adheres to a pop structure, such as verse/chorus/verse/chorus. The fanbase for popular music artists is huge but also fickle.

Niche Music can be described as music that is popular within a particular circuit or genre, such as the many sub-genres of dance music, folk, blues, jazz, hip-hop, urban, world music, classical and metal. These styles have popularity within their own field, but they usually have a loyal fanbase rather than a fickle, popular fanbase.

Academic Music can be described as music that is often discussed and praised within a research or academic field. There is almost no market for this kind of music. However, this type of music shows a greater depth and experimentation of musical ideas. Avant-garde, computer music and some classical music are examples of genres within academic music.

This categorization provides significance when making your own music. Different genres can crossover in these music types, but the success and appeal of your own music ultimately depends on your choice from these three types.

Sunday 2 June 2013

Are Stylistic Modern Production Techniques Damaging Music Creativity?

Modern music sounds great – sonically speaking. The high-end frequencies of modern recordings sound polished, fresh and vibrant.

Although this comes at a huge cost. The moving focus from the vital music elements of rhythm, arrangement, melody and harmony towards music sounding as good as it can has become all too apparent. This is particularly true in the commercial pop market. The emergence of dance producers involvement in pop productions since the 1990s has created a stagnant and repetitive dirge of popular music, focused on beats, heavy synthesizer stabs and autotuned vocals. It provides little inspiration and, crucially, longevity.

Compare this to popular music from the 1960s to the 1990s. Many great bands that have come through in those years with limited production resources, yet the quality of the musical elements have made their records stand the test of time. You cannot make that parallel with modern music, because so many people can produce great music, and the over-saturation and similarity of the production techniques of modern music do no favour an artist who wants to stand out from the crowd. There are always imitators in music, but now it seems more prevalent than ever.

Modern music production techniques are fantastic, but in order for them to be fully utilized they have to be used effectively with the core musical composition elements, so music can become memorable again.  

Judging Music - The Art Of Music Appreciation

There are many different styles and genres of music. Some are easier to listen to than others. It’s no surprise that pop music is the easiest and most infectious music to listen to, that is if you’re just a casual listener wondering what’s been stirring in the charts.

What about the rest? There are musically and technically superior styles of music that aren’t pop, which include jazz, classical, experimental and the diverse palette of world music. They don’t have the instantaneity of pop music, but they are incredibly absorbing for different reasons.

Jazz music is heavily improvised, and that improvisation takes away a defining melody or collection of harmonies. Although that isn’t the point with jazz, as when you listen to it you should appreciate the complexity and skill of the instrumental playing, and learn to go with the flow as the musician seemingly glides from tuneful to, quite often, tuneless playing. It’s the boldness of jazz music that makes it so appealing, the excitement and the adventure of the blue notes is its own trademark.

Classical music arguably reigns supreme over every other type of music, with is complex, intricate and technically astounding sound. It is largely redundant in the pop charts, which is a shame because when you listen to the music closely you start to appreciate the decoration and mastery the music gives you. It is only on film soundtracks that this music is heard to a mass audience. It can be tiring and overwhelming to listen it over a long period of time, but the skill of it is incredible. You may need to read up on reference books to fully understand and differentiate between different types of classical music, but it’s worth it.

Experimental music is difficult to understand, but again, that has its own code of listening. Music can be defined as any organization of sound, and that is most prevalent in the avant-garde. Its greatest attribute is the element of surprise, giving you unexpected pleasures and sonic artefacts that provide their own fascination. If pop music is going to innovate in the future then one of its main influences needs to be experimental music, to, if nothing else, provide escape for its own formulaic mediocrity. Listen to experimental music properly and your perspectives of sound and music will change for the better.

Then there is world music. It is impossible to list, let alone analyse every style of world music. There is a staggeringly wide scope of world music, but its definitive feature to listen out for is rhythm.  A lot of African and South American music employs the use of polyrhythms, which are basically two or more rhythms playing at the same time. This complexity adds a new dimension to the way you hear rhythm, and it is far superior compared to the rhythms of most western music. With world music, the groove is essential.

There are many other examples from different genres I could talk about, these are just a few examples. The most important point to consider is that music genres have different languages, and there are certain ways to understand and appreciate them, so you can hear them to their full potential.